Is it sacrilege to declare that the best-looking movie established in Paris was shot by several Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French money – together with the neoclassical edifices of Mussolini’s Rome – in amazing blues and shards of sunshine as sharp since the knives https://colab.research.google.com/drive/1uOuqECQ6jeJrjgNVNnwzuHGx1fUW-_eg?hl=en